“A picture is worth a thousand words” takes a special meaning when your work is identifying the secrets behind the images produced since the discovery of pre-photographic methods of capturing light on sensitive surfaces. To explain how a photo conservator approaches, determines and preserves the stories that a picture can hide above and under the surface we interviewed Rosina Herrera. She is a Spanish photo conservator with training from institutions that steward some of the world’s most important and oldest photo archives, including the George Eastman Museum (GEM) in Rochester,…
Year: 2021
Where there was fire: Alexia Miranda
Alexia Miranda and I belong to a generation marked by social and telluric movements. Both of us survived the devastating consequences of the earthquakes that affected Mexico City in 1985 and San Salvador in 1986. We both belong to countries where the class struggle, the social conflicts, the economic inequality and, in her particular case, the Civil War and the Postwar Period marked our ways of seeing and relating to art and public space. Alexia Miranda and I could have met in Mexico during the time she lived in that…
