A Singular Woman: In Conversation with Sarah E. Webb

Only by writing in collaboration can the artist and the art historian right the woman artist so that her marks are not erased. Sarah E. Webb. Singular Women. Writing the Artist Sarah E. Webb’s practice is, as she says, “comprised of many stitches”, bringing together multiple narratives including her work as an artist, independent curator, writer, and educator. For many years Webb has been actively involved in the local art community in Rochester, New York. This is where we met and where she has dedicated her time to advocate for…

Building the Beehive: An Interview with Colmena Verde Collective

EN/ES In Latin America, a new wave of feminist movements has been spreading, particularly in the last couple of years. Countries like Chile, Argentina, Brazil, and Mexico have seen huge marches and strikes by women against gender-based violence and abuse. Historically, these women’s groups and their predecessors have been setting the foundations for the groundwork of resistance against systemic and structural violence rooted deeply in these regions. And in some cases, they have been able to change and redefine politics by helping pass laws to promote equality and tackle violence…

Through the Open Lens: An Interview with Consuelo Saldaña

Inspired by organizations such as The International Collective of Female Cinematographers (ICFC) in the United States, female cinematographers around the world are creating their own local associations to support and to promote the work of women in the television and film industries. In Mexico, Apertura DOP recently launched a website/directory featuring the work and contact information of 35 female cinematographers that work in the industry. One of them is Consuelo Saldaña, a director of photography who has been working in film and television for the last decade. For this interview, Saldaña offers her insights, projects, and…