HOLDING AND BEING HELD: A CONVERSATION WITH ANNE LEIGHTON MASSONI

Anne Leighton Massoni while traveling in Puglia, Italy 2021 Anne Leighton Massoni has a theory: she believes everyone’s fifth birthday looks practically the same photographically, yet when it’s our fifth birthday, the images conjure the unique experience of memory and time.  Her theory is a tangible thread, one she pulls throughout her practice. As a maker and a storyteller, Massoni explores the space between truth and fiction, the place between revealing and holding secret. Using created images in conjunction with found imagery, Massoni reimagines stories we experience yet cannot express.…

TELL ME HOW IT ENDS: AN INTERVIEW WITH MARNI SHINDELMAN

I first met Marni Shindelman in 2002, when we were new faculty at the University of Rochester, Department of Art and Art History, and I have been honored to observe the evolution of her work ever since. Marni’s practice investigates the data tracks we amass through networked communication, locating the invisible to actual sites, anchoring the ephemeral in photographs. Since 2007 she has primarily exhibited and created work in collaboration with Nate Larson but recently embarked upon a new solo project, Restore the Night Sky, work as personal as it…

STORIES WE TELL, STORIES WE KEEP: IN CONVERSATION WITH STACY RENEE MORRISON

Stacy Renee Morrison is a photographer keeping and telling stories between two women, between two centuries. Sometimes it can be difficult to tell where one ends, and the other begins. Much of her artistic career has been informed by a 19th-century trunk that seemingly fell from the sky to become the material makings of the girl of her dreams. But as in the case with all good stories, the through-line of Stacy’s practice can be traced back to when she herself was a child. Pioneering sleep researcher Rosalind Cartwright wrote, “Memory…